Tarkovsky by first round KO. Andrei Tarkovsky once labeled Stanley Kubrick's 2001: A Space Odyssey as a "phony" film with "only pretensions to truth." Project 2501, Nov 10, 2017 #65. moreorless87 Straba. Tarkovsky is my favourite film maker by a mile but I can't help but think that he is being unfair to Kubrick. Read an extract from Mark Fisher's new book The Weird And The Eerie, where he gets to grips with 2001: A Space Odyssey, The Shining, Stalker, Solaris and Interstellar. The protagonist of Kubrick – machinery embodying the mind of man does not interest Tarkovsky, not the environment created by technology of the future. Back in 1972, world-renowned director Andrei Tarkovsky sat down with film critic Leonid Kozlov around the same time as the release of his 5th feature film Solaris and was asked to share his top ten favorite film. The Russian director's own sci-fi epic Solaris came out just four years after Kubrick's, and the similarities between the two are pretty glaring. Tarkovsky set out to expose the “phoniness” of Stanley Kubrick’s 2001: A Space Odyssey with this interrogation of the human condition and the result is a strange kind of psychological horror. After all, each scene in Kubrick's film is an illustration from a science-fiction magazine. Solyaris) is a 1972 Soviet science fiction art film based on Stanisław Lem's 1961 novel of the same name.The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk.The electronic music score was performed by Eduard Artemyev; a composition by J.S. Related films. Tarkovsky's Solaris was promoted as a response to 2001, Tarkovsky of the opinion his approach was more humanistic, so Solaris has been viewed as a kind of anti 2001. October 31, 2017, 6:48am #1. The first is Stanley Kubrick’s groundbreaking, mind-bending 2001: A Space Odyssey. Andrei Tarkovsky, Stanley Kubrick. This time around, it’s Stanley Kubrick on the left and Andrei Tarkovsky on the right. Kubrick is the most overhyped and overrated director of all time. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle.”—Stanley Kubrick. His films, dialogues, work, thoughts and writings have become popular quotations and are frequently quoted by people. Well I have heart about this: The Mirror Ivan’s Childhood (aka My Name is … Nick Wrigley . by Filmmaker Staff in Filmmaker Videos on Jul 28, 2016 . I found this trait to be very similar to Stanley Kubrick’s work, but unlike Kubrick, Tarkovsky is very unorthodox and emotional in his approach. Both see cosmonauts confront the bewildering limits of human understanding. The film has made on me an impression of something artificial, it was as if I have found myself in a museum where they demonstrate the newest technological achievements. It’s one auteur illuminating similarities with another’s work in another split-screen video. We suddenly wanted to do something completely contradictory to it. KUBRICK / TARKOVSKY from Vugar Efendi on Vimeo. I have heart that  Andrei Tarkovsky made some very interessting movies and it is time for me to watch some. Who are your favorite filmmakers? Tarkovsky’s influence is apparent throughout all of Paradjanov’s work, yet this was a reciprocal admiration, with the paradoxical beauty and dream-like spectacle of Paradjanov’s films a huge influence on Tarkovsky’s later films. Solaris (Russian: Солярис, tr. 10 great films set in the middle ages. An intimate portrait of one of the world’s most celebrated and studied directors, Stanley Kubrick. “The screen is a magic medium. From the moment Stanley Kubrick released his first short film in 1951 he didn’t look back, forging a career in cinema like no other and maintains his legacy as one of the most influential filmmakers in cinematic history. Kubrick was a man far ahead of his time and his films are still watched all over the world for his signature style. “Kubrick/Tarkovsky”: A Video Essay Explores the Visual Similarities Between the Two “Cinematic Giants” openculture.com - by Colin Marshall. The story has always been that Tarkovsky, a Soviet director whose few completed films were nearly all completed only after extensive battles with the censors in Moscow, had seen Kubrick… 03/11/20 19/11/20. Andrei Tarkovsky. Tarkovsky: Kubrick: Last edited: Nov 7, 2017. Back in 2016, Vugar Efendi released a stunning montage video that compares the works of the late Stanley Kubrick and the late Andrei Tarkovsky, accompanied by Max Richter’s On the nature of daylight. ... Stanley Kubrick, cinephile. When, together with the cameraman Yusov, Tarkovsky and I had just begun work on Solaris, we had a chance to see Stanley Kubrick's 2001: A Space Odyssey. Both of them have defined and pioneered the cinematic language, and propelled cinema forward as an art form. Kubrick by Kubrick. On reflection, Lopate claims, the rival cosmic visions of Kubrick and Tarkovsky actually have much in common. Well, influences on each other in the sense that Tarkovsky disliked 2001 and Kubrick in general: "2001: A Space Odyssey is phony on many points, even for specialists. Movie Corner (Non-QT) CPS. Solaris won the Grand Prix at … He is a genius John Wang, Nov 7, 2017 #2. For a true work of art, the fake must be eliminated. Both films are visually and conceptually rich works of contemplative science fiction. Agent Mulder's Hair, Nov 7, 2017 #1. Read on a compilation of thoughts, sayings and quotes by Stanley Kubrick. Kubrick and Tarkovsky were big influences on one another, 2001 and Solaris are often discussed together as "sister" movies. In 1972, he directed the science fiction film Solaris, which was a response to what Tarkovsky saw as the "phoniness" of Stanley Kubrick's 2001: A Space Odyssey (1968). Joined: Jan 15, 2007 Messages: 38,201 Likes Received: 250. ChucksGlassJaw Proud Casual. To an extent (perhaps either somewhat small or even somewhat large), Tarkovsky's 1972 science fiction opus Solaris is a response to Kubrick's science fiction masterpiece 2001: A Space Odyssey.. Tarkovsky apparently despised Kubirck's film for various reasons, as Tarkovsky felt that 2001 was ultimately "cold and sterile" (Lopate). Responses to that question including the names Stanley Kubrick and Andrei Tarkovsky have been heard so often, for … “Hindsight allows us to observe that the two masterworks are more cousins than opposites. https://faroutmagazine.co.uk/stanley-kubrick-andrei-tarkovsky-style-comparison Tarkovsky’s film does not argue with the picture of Kubrick. But these movies are diametrically opposed to each other. Stanley Kubrick or Andrei Tarkovsky? This is Nostalghia.com, an Andrei Tarkovsky information site. From the first viewing, it is easy to pile Solaris into another IMDB list of sci-fi films that explore life beyond earth. Via Vimeo: Unlike previously, focusing on one filmmaker, I wanted to look at the two most influential and most respected artists in the world of cinema: Stanley Kubrick and Andrei Tarkovsky. Tarkovsky on the set of Stalker. by Eugenia Ellanskaya WORD COUNT 2186 TIME SUBMITTED 13-DEC-2012 01:29AM CHARACTER COUNT … Kogonaga smartly points out that Tarkovsky’s film, unlike Stanley Kubrick’s, is about humanity, not technology. Joined: Mar 11, … The second, less well known but no less influential, is Andrei Tarkovsky’s 1972 masterpiece, Solaris. In fact, for many Solaris is considered a response to Stanley Kubrick’s 2001: A Space Odyssey as they both explore space journeys and the presence of artificial intelligence. Kubrick wants to show the technology in the year 2000. The Outside World. Mark Fisher On Kubrick, Tarkovsky & Nolan: An Extract From The Weird And The Eerie John Doran , January 9th, 2017 13:45. Samuel Wigley . John Wang Guest. I saw Stanley Kubrick's 2001 recently. My proposal is that just as Tarkovsky dialogued with Kubrick in his Solaris, so too was Kubrick dialoguing with Tarkovsky in The Shining. Drawing on previously unheard recorded interviews,… This is exactly what Andrei Tarkovsky did when he made “Solaris,” which came out in 1972, four years after Stanley Kubrick’s masterpiece “2001: A Space Odyssey.” Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of it), but he ran into official trouble again with The Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. 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